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The Sole Prop's Sister?

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San Francisco 2008 Asian Heritage Street Celebration.

Under here.

May 21, 2008

In The Past
Wednesday. Up, down, up, down. Gotta skip this analyzing of each and every little ache and pain each and every day. I have too much time on my hands. Think about these things once a week; once a month. Keep it to the basics. Count the fingers, count the toes. Do the sox match? Enough is enough. Switch to more interesting stuff even if I have to make it up. Yesterday wasn't great, but then it wasn't all that bad either. I mean, I sat around (true) feeling blue, but I watched a movie, had a couple of drinks later in the evening, went to bed clear headed and slept like a log. (I'm an expert on logs.) Today was fine. I had lunch with The Ladies, an excellent lunch, where I took a couple of pictures without being too intrusive (I think - it's easy to kid yourself).

Back to the apartment, sitting here now writing and wondering if I might watch the new movie that arrived from Netflix this afternoon. I discover, when I'm reading the Netflix recommended movie blurbs, that I often end up ordering movies, if I thought about it a little bit longer, I really don't want to watch. Becket arrived yesterday starring a young Richard Burton and Peter O'Tool. I saw it when it was released. I knew I'd seen it when I ordered it. If I'd thought about it I'd have remembered it was OK when I saw it, but really wouldn't like to see it again. I loaded it last night and watched the first scene and then quit. Maybe I'll watch the rest of it and maybe I won't, but I knew I was treading into dangerous territory when I ordered it. How bright is that?

About as bright as anyone who reads this expects.

I seem to recall we've had this conversation in the past.


 
The photograph was taken at the San Francisco 2008 Asian Heritage Street Celebration with a Nikon D3 mounted with a 70 - 200mm f 2.8 Nikkor VR lens at 1/160th second, f 2.8, ISO 200.

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